Produced, mixed and mastered to release standard. For people with a message, an audience, and a decade of unfinished voice memos.
Two spots. Applications reviewed personally.
There are voice memos on your phone from 2019. A chorus sung into the dark at 2am. A melody that arrived mid-session with a client and never left. You know the exact ones.
Money was never the obstacle. You've been able to fund this for years.
The obstacle is that you know precisely what it sounds like when someone with resources and no direction makes an album. You've heard the records that sound like a hotel lobby with a singing bowl. You are quietly terrified of making one.
So the songs stay where they are. Unfinished, and therefore still perfect.
Meanwhile you have thousands of people who trust you with the hardest parts of their lives. Not one of them has heard you sing.
You don't need encouragement. You need someone who takes the message as seriously as you do — and refuses to let the music embarrass it.
Two artists who had never properly released. Both started where you are.
The same take, before and after. Flip mid-playback — the playhead holds, so you hear the same second twice.
assets/audio/ex1-before.mp3 + ex1-after.mp3 (and ex2). Same length, same start point — the toggle aligns on playhead position. Players activate automatically once the files exist.
Twelve 90-minute sessions, one to one. Everything below happens inside them.
Before a single note is produced we decide what you sound like. Reference work, sonic territory, and an honest read of what your voice actually does well.
Three songs written, produced, mixed and mastered to release standard. You sing them. I make them sound like records. Nothing leaves unfinished.
How the business actually works — masters, publishing, splits, and the deals people sign without reading. You finish knowing what you own and how to release the next one without me.
Next intake begins November 1. Two spots.
WATASHI
Fifteen years making records. Trained at Icon Collective in Los Angeles, then cut my teeth in a studio where Justin Bieber, Charlie Puth and Kehlani have recorded.
I've spent that time on one question: why some records sound finished and most don't. That's the entire job here.
I don't do encouragement. I do finished records.
Video testimonialSlot reserved above the written proof — this is the highest-converting element on the page. Drop the file here when it's cut.
Recording my songs at age 65 with professional production is fulfilling a life long dream. Watashi sees me as an artist.Lunea LynnRecorded her first songs at 65
assets/testimonials/ and I'll swap the name cells for images.
The investment is discussed on the call. It's a serious one — this is for people ready to finish.
Most people I work with aren't trained singers. They have something to say and a voice that carries it. Production, arrangement and vocal work exist to serve that. If you can hold a melody, we can make a record. If you can't yet, I'll tell you on the call rather than take your money.
Electronic-leaning pop, indie, and world-fusion. No country. No live band tracking.
GLO had never released a song. We produced her first six singles. Starting from zero releases is normal here. Starting from zero audience is not.
Twelve 90-minute sessions across twelve weeks, plus writing and vocal takes between them. Budget three to five hours a week. The sessions are the engine; the work between them is what makes three records possible instead of one.
Lunea recorded her songs at 65. The question was never age — it's whether you'll actually finish. No audience has ever asked how old the singer was.
Five questions. Under two minutes. I read every one.
How big is your audience?
Across the platform where people actually listen to you.
How long have you wanted to do this properly?
This is a $15,000+ investment.
Are you ready to move if it's a fit?
Where do I reach you?
Where can I hear you?
A link to your music, or your Instagram.
Application received. Book your call.
Pick a time now — unbooked applications don't get reviewed.
This program is built for people with an audience already in place and the means to move quickly. That isn't where you are right now, and taking your application would waste your time and mine.
That isn't a judgement on the music. It's a judgement on timing.
Come back when the audience is there. The door stays open.